- I have kept above a 3.0 GPA since Junior HighSchool
- In my Sophomore year I kept a 4.0 GPA
- I have played two water polo seasons on the Righetti water polo team
- I swam for two swim seasons on the Righetti swim team
- I have earned a black belt in Taekwondo as well as practiced jiu jitsu, Haganah, and aikido
- At age 13 I participated in a trapshooting competition between twenty people and came in second place
- I am currently an Explorer Corporal with the Santa Barbara County Sheriff's Department
- Last summer I went through a law enforcement academy for the Explorers put on by the Sheriff Department along with 31 other recruits
- While attending the academy I was put through rough physical training and even pepper sprayed too
- In the academy I was taught how to operate all weapons in the Sheriff's arsenal as well as how to dismantle them and put them back together again
- I had to memorize most if not all of the Radio codes, Vehicle codes, Health and Safety codes, Penal codes, Phonetic alphabet, Unit Designators, and Station Identifiers
- I graduated the academy with two awards: the "Top Gun" award for being the most accurate shooter out of all of the recruits, and the "Valedictorian" award for graduating at the top of my class
- 6 people failed this academy because the training was either too difficult or they failed one of the multiple tests
- Almost every weekend I go on full shifts with the Sheriff Department and work with them all day long, everything from riding on patrol in the car to helping at the station
- During the academy's range day I was able to go to Vandenburg Air Force Base and fire M240 Bravo Light Machine Gun as well as participate in virtual reality training on base
Tuesday, May 21, 2013
Brag Sheet
I don't mean to brag but...
Sunday, May 19, 2013
Best of American Literature
As I think back on the school year in this class. Which was only a semester since the first half of the year was spent in Ms. Bronkey's class. I think that I did best on my writing. I don't know why but whenever the teacher would say that you would have to write an essay that was due at the end of the period I almost became excited. I don't know what it is about writing but if it is a topic that I am in to, my pen just starts flowing and I wake up five minutes later with an essay in hand wondering "how did that happen?" I really liked this class and I am seriously thinking about taking the AP English class here next year.
Thursday, May 16, 2013
Derby Reportage
Sorry Dr. Preston but for some reason the article refuses to load on my computer. I don't know how to really fix this. Any suggestions?
This is the image that I get on my screen.
This is the image that I get on my screen.
Johnny Cyberpunk
It seems as though the story is about a man who had information implanted into his head. Important information that many people want to get their hands on. For that reason, he is being hunted and must now fight for himself. That is why he is carrying the shotgun in his bag and he is meeting so many strange characters who are powerful and mysterious.
Monday, May 13, 2013
Future Me
I sent the email finally. For some reason the website was trying to get me to download something before but now it is finally working.
It is definitely a weird feeling. Although I am glad to be able to get this opportunity to talk to my future self. I think I was able to leave an important message for myself.
Here is the receipt thing for proof.
It is definitely a weird feeling. Although I am glad to be able to get this opportunity to talk to my future self. I think I was able to leave an important message for myself.
Here is the receipt thing for proof.
Wednesday, May 8, 2013
My Post Modernism Project
For my project I wrote a story because I couldn't think of anything better to do.
Your alarm clock goes off early in the morning. You go through your daily routine, waking up, getting dressed, eating breakfast (if there is any time), and leaving for school. Same old same old. After arriving at school you head to your locker, meet and talk with friends, and frantically finish last night's homework that you had put off until the last second. Summer grows seemingly farther out of reach as you trudge on through the day. Exciting isn't it?
The first period bell rings. You arrive at room 608 for Dr. Preston's english class to start off another day of the same thing that you did yesterday and the day before and the day before that. After you write your journal, *feeling a bit sleepy*, you are given a project on post modernism. You think "crap! what is post modernism really?" After the class argues with Dr. Preston for about 10 minutes asking to expand the deadline he permits it. "Awesome, now this gives me a chance to work longer on my project!"Is what you should say. Instead your brain says this, "Awesome, now this gives me a chance to screw around more and put off my project until the night before!".
After first period you go through the rest of your exciting day thinking about how the hell you are going describe post modernism, let alone put it into a project. You have to be able to give an idea tomorrow to the class. You come up with some really quick lame idea that gives you enough time to attempt to understand post modernism. Eventually, lunch comes and goes. Fifth and sixth go by just like any other day. Before too soon you hear the final bell that frees you from this prison where you are condemned to write things all day long. You pack your things and leave the ineffective gates of Righetti behind you.
Once you arrive at your house, you find yourself extremely exhausted and in need of a nap. You skip your homework and go to bed, setting your alarm to wake you later. Just as you are getting relaxed you are immediately shaken out of bed and you find yourself in the back of a fire truck racing down the street. Scared, you begin to look around for answers. In the front seat you see two firemen chatting vigorously on the radio. You hear something about books being talked about on the radio but before you can say anything the fire truck comes to a stop in front of a house. The firemen poor out onto the sidewalk. Trying to figure out what is going on, the firemen immediately pull out flame throwers and begin to burn the house down."WTF" you say to yourself. After the burning is complete you hear a quarrel out on the lawn of the burning house. You look out the window and all there is too see is a smoldering pile of ashes that used to be the 2 firefighters and something else that looked like a mechanical dog. The person who did this suddenly looks at you and with a bewildered expression on his face he pulls the trigger on the flame thrower and everything goes black. So it goes.
Suddenly, you are jolted to life again but this time on the side of a road in the middle of nowhere. You begin trying to figure out why these scenes are so familiar to you. "Where the hell am I now?". With no sense of direction you begin to walk down the street to look for anyone who might help you to know where this strangely familiar place is. Eventually you spot a building off in the distance and you go towards it, as it grows closer you recognize it as a shop, a sort of repair shop for cars. As you enter the shop a man comes out. "Hi, my name is Wilson, what can I help you with?". After asking him for help on how to get to Santa Maria, he became a little confused. Overhearing the conversation, his wife came out and insisted that she should stop a car and ask for directions for you. Before you could stop her she had already walked out to the road and was waving down a yellow car when WHAM! the car hit her head on. So it goes. The police arrived shortly and everything began to fade to black again.
You are now jolted awake by the sounds of mortars and gunfire. As you look around you World War 2 is being waged as the Allies exchange fire with German troops. After much fighting you find yourself lost behind enemy lines with three other soldiers. One is wearing the same uniform as you and tells you that you are a scout just like him. Another is gunner in the artillery platoon. The fourth soldier did not look like a soldier at all but just a raggedy civilian. And he was a Chaplain's assistant. After days of evading the German patrols and being slowed down by the chaplain's assistant due to his weak stature, you and the other other scout decide to leave the gunner and chaplain's assistant behind. A day after leaving them behind the other scout with you is suddenly hit by a bullet, he is killed instantly by a German sniper. So it goes. Before you are able to get to cover you are also shot and everything fades to black. So it goes.
You jump back awake for real this time. Although this time you are in Dr. Preston's class. He begins announcing that there will be a post modernism project due the next day. "What?", you say to yourself. Thinking that the time that you went back home and slept was all a part of this dream you have been having and that you had actually fell asleep in his class after writing the journal topic. You immediately know what your project is going to be about.
Your alarm clock goes off early in the morning. You go through your daily routine, waking up, getting dressed, eating breakfast (if there is any time), and leaving for school. Same old same old. After arriving at school you head to your locker, meet and talk with friends, and frantically finish last night's homework that you had put off until the last second. Summer grows seemingly farther out of reach as you trudge on through the day. Exciting isn't it?
The first period bell rings. You arrive at room 608 for Dr. Preston's english class to start off another day of the same thing that you did yesterday and the day before and the day before that. After you write your journal, *feeling a bit sleepy*, you are given a project on post modernism. You think "crap! what is post modernism really?" After the class argues with Dr. Preston for about 10 minutes asking to expand the deadline he permits it. "Awesome, now this gives me a chance to work longer on my project!"Is what you should say. Instead your brain says this, "Awesome, now this gives me a chance to screw around more and put off my project until the night before!".
After first period you go through the rest of your exciting day thinking about how the hell you are going describe post modernism, let alone put it into a project. You have to be able to give an idea tomorrow to the class. You come up with some really quick lame idea that gives you enough time to attempt to understand post modernism. Eventually, lunch comes and goes. Fifth and sixth go by just like any other day. Before too soon you hear the final bell that frees you from this prison where you are condemned to write things all day long. You pack your things and leave the ineffective gates of Righetti behind you.
Once you arrive at your house, you find yourself extremely exhausted and in need of a nap. You skip your homework and go to bed, setting your alarm to wake you later. Just as you are getting relaxed you are immediately shaken out of bed and you find yourself in the back of a fire truck racing down the street. Scared, you begin to look around for answers. In the front seat you see two firemen chatting vigorously on the radio. You hear something about books being talked about on the radio but before you can say anything the fire truck comes to a stop in front of a house. The firemen poor out onto the sidewalk. Trying to figure out what is going on, the firemen immediately pull out flame throwers and begin to burn the house down."WTF" you say to yourself. After the burning is complete you hear a quarrel out on the lawn of the burning house. You look out the window and all there is too see is a smoldering pile of ashes that used to be the 2 firefighters and something else that looked like a mechanical dog. The person who did this suddenly looks at you and with a bewildered expression on his face he pulls the trigger on the flame thrower and everything goes black. So it goes.
Suddenly, you are jolted to life again but this time on the side of a road in the middle of nowhere. You begin trying to figure out why these scenes are so familiar to you. "Where the hell am I now?". With no sense of direction you begin to walk down the street to look for anyone who might help you to know where this strangely familiar place is. Eventually you spot a building off in the distance and you go towards it, as it grows closer you recognize it as a shop, a sort of repair shop for cars. As you enter the shop a man comes out. "Hi, my name is Wilson, what can I help you with?". After asking him for help on how to get to Santa Maria, he became a little confused. Overhearing the conversation, his wife came out and insisted that she should stop a car and ask for directions for you. Before you could stop her she had already walked out to the road and was waving down a yellow car when WHAM! the car hit her head on. So it goes. The police arrived shortly and everything began to fade to black again.
You are now jolted awake by the sounds of mortars and gunfire. As you look around you World War 2 is being waged as the Allies exchange fire with German troops. After much fighting you find yourself lost behind enemy lines with three other soldiers. One is wearing the same uniform as you and tells you that you are a scout just like him. Another is gunner in the artillery platoon. The fourth soldier did not look like a soldier at all but just a raggedy civilian. And he was a Chaplain's assistant. After days of evading the German patrols and being slowed down by the chaplain's assistant due to his weak stature, you and the other other scout decide to leave the gunner and chaplain's assistant behind. A day after leaving them behind the other scout with you is suddenly hit by a bullet, he is killed instantly by a German sniper. So it goes. Before you are able to get to cover you are also shot and everything fades to black. So it goes.
You jump back awake for real this time. Although this time you are in Dr. Preston's class. He begins announcing that there will be a post modernism project due the next day. "What?", you say to yourself. Thinking that the time that you went back home and slept was all a part of this dream you have been having and that you had actually fell asleep in his class after writing the journal topic. You immediately know what your project is going to be about.
Tuesday, May 7, 2013
My Slaughterhouse
Writing, or typing in this case, an essay about post modernism and Slaughterhouse 5 is pretty much just writing about the same thing. Kurt Vonnegut was so in tune with post modernism that it could have been vomiting it straight from the book onto your face while reading. Everything so far that I know about post modernism was taught to me by reading this book and studying the elements of it. Post-modernism is a school of thought or a tendency in contemporary culture which rejects modernism. It is characterized by the rejection of objective truth and global cultural narrative.
Kurt Vonnegut wrote a book in which one is not permitted to laugh and yet still kept the book sad but without tears. One of the biggest elements of post modernism seen in this book is time travel. One moment you are on Earth in the middle of WW2 and then next you are on a brand new world named Trafalmadore. Other such things as being able to see in the fourth dimension where death and life mean nothing and being put in a zoo by extraterrestrial beings to be observed describe what post modernism is.
In the story, Kurt Vonnegut writes out the life of a man and Optometrist named Billy Pilgrim and his struggles in WW2 where he experiences German prison camps and the bombing of Dresden that wipes out the whole town. While being told his story you are also being teleported back in time, then to the future, then back and forth and on and on. Billy experiences everything from being in war, to going to another planet, and even being killed. So it goes.
Kurt Vonnegut wrote a book in which one is not permitted to laugh and yet still kept the book sad but without tears. One of the biggest elements of post modernism seen in this book is time travel. One moment you are on Earth in the middle of WW2 and then next you are on a brand new world named Trafalmadore. Other such things as being able to see in the fourth dimension where death and life mean nothing and being put in a zoo by extraterrestrial beings to be observed describe what post modernism is.
In the story, Kurt Vonnegut writes out the life of a man and Optometrist named Billy Pilgrim and his struggles in WW2 where he experiences German prison camps and the bombing of Dresden that wipes out the whole town. While being told his story you are also being teleported back in time, then to the future, then back and forth and on and on. Billy experiences everything from being in war, to going to another planet, and even being killed. So it goes.
So far post modernism has been a big rush for me, it flew by and I believe that the whole class is still trying to figure out what it really is. It can be described as a "no rules" type of policy that applies to many of today's modern literature, art, philosophy, architecture, fiction, cultures, and literary criticism. Post modernism is most common today and you can see it virtually anywhere that you go from Facebook to high school.
Post modernism and Slaughterhouse 5 go hand in hand because Slaughterhouse 5 uses all of the core elements of post modernism and applies them in a unique way. Kurt Vonnegut had engineered a masterpiece when he had finished the book. Billy Pilgrim experiences this world first hand in this book about time travel, WW2, the bombing of Dresden, Optometry, and an alien planet where beings can see in the fourth dimension.
Wednesday, May 1, 2013
SCHLACHTOF SIEBEN
Quote: "All of the real soldiers are dead".
This quote was interesting to me because it shows that REAL soldiers are the ones that will put down their own life for their country and the residents that sometimes detest them.
Active reading notes:
Twenty-five years after the bombing of Dresden, Billy boards an airplane in Ilium, New York, chartered to carry him, his father-in-law, Lionel Merble, and nearly thirty other optometrists to a convention in Montreal, Canada. Billy knows the airplane will crash, but he says nothing.
When the plane crashes into Sugarbush Mountain, Vermont, everyone is killed — except Billy and the copilot. First to arrive at the wreckage are Austrian ski instructors from the Sugarbush Ski School. Speaking in German, the ski instructors move quickly from body to body. As one of the ski instructors bends over Billy to hear his dying words, Billy whispers, "Schlachthof-funf." Taken to a small hospital, where a brain surgeon operates on him, he lies unconscious for two days, experiencing a multiplicity of dreams.
~this sent shivers down my spine~
Billy finds himself in 1945 Dresden. He and Edgar Derby, sent to fetch supper for their fellow prisoners, are guarded by 16-year-old Werner Gluck. Leading the way to a building that he thinks is the kitchen, Gluck discovers a dressing room and a communal shower. Inside are 30 teen-age girls — refugees from the city of Breslau who have just arrived in Dresden. Standing in the nude, the girls find themselves under the examining eyes of the teenage Werner Gluck, the tired, old Edgar Derby, and the clownish Billy Pilgrim. The girls scream and cover themselves with their hands as best they can. Neither Gluck nor Billy has ever seen a naked woman before. They eventually locate the kitchen.
During their stay in the converted slaughterhouse, the prisoners are assigned a variety of daily duties. They wash windows, sweep floors, and clean toilets in a factory that makes malt syrup enriched with vitamins and minerals for pregnant women. They also pack jars of the malt syrup in boxes.
Throughout the day many of the workers filch spoonfuls of the syrup. Spoons are hidden all over the plant. On his second day, Billy discovers a spoon. He uses the spoon to taste the syrup, then passes the syrup-covered spoon to Derby, who is standing outside a window watching Billy. Derby bursts into tears.
~why does he cry?~
This quote was interesting to me because it shows that REAL soldiers are the ones that will put down their own life for their country and the residents that sometimes detest them.
Active reading notes:
Twenty-five years after the bombing of Dresden, Billy boards an airplane in Ilium, New York, chartered to carry him, his father-in-law, Lionel Merble, and nearly thirty other optometrists to a convention in Montreal, Canada. Billy knows the airplane will crash, but he says nothing.
When the plane crashes into Sugarbush Mountain, Vermont, everyone is killed — except Billy and the copilot. First to arrive at the wreckage are Austrian ski instructors from the Sugarbush Ski School. Speaking in German, the ski instructors move quickly from body to body. As one of the ski instructors bends over Billy to hear his dying words, Billy whispers, "Schlachthof-funf." Taken to a small hospital, where a brain surgeon operates on him, he lies unconscious for two days, experiencing a multiplicity of dreams.
~this sent shivers down my spine~
Billy finds himself in 1945 Dresden. He and Edgar Derby, sent to fetch supper for their fellow prisoners, are guarded by 16-year-old Werner Gluck. Leading the way to a building that he thinks is the kitchen, Gluck discovers a dressing room and a communal shower. Inside are 30 teen-age girls — refugees from the city of Breslau who have just arrived in Dresden. Standing in the nude, the girls find themselves under the examining eyes of the teenage Werner Gluck, the tired, old Edgar Derby, and the clownish Billy Pilgrim. The girls scream and cover themselves with their hands as best they can. Neither Gluck nor Billy has ever seen a naked woman before. They eventually locate the kitchen.
During their stay in the converted slaughterhouse, the prisoners are assigned a variety of daily duties. They wash windows, sweep floors, and clean toilets in a factory that makes malt syrup enriched with vitamins and minerals for pregnant women. They also pack jars of the malt syrup in boxes.
Throughout the day many of the workers filch spoonfuls of the syrup. Spoons are hidden all over the plant. On his second day, Billy discovers a spoon. He uses the spoon to taste the syrup, then passes the syrup-covered spoon to Derby, who is standing outside a window watching Billy. Derby bursts into tears.
~why does he cry?~
SCHLACHTOF (what's German for 6?)
Billy wakes up in the prison camp hospital. Both Paul Lazzaro and Edgar Derby are nearby. Lazzaro explains that he holds Billy responsible for the death of Roland Weary. He also divulges a promise he made to Weary — he will kill Billy.
Billy has seen his death many times and has described it on a tape recorder he keeps in a safe deposit box. The tape recorder's message is: "I, Billy Pilgrim, will die, have died, and always will die on February thirteenth, 1976."
As he lectures to the large crowd, he predicts his death — within an hour — revealing Lazzaro's promise to kill him. He closes his speech with a message that death is not eternal. As Billy leaves the stage, a sniper fires at him from the press box. Billy Pilgrim is dead.
Billy time travels to 1945 Germany. Having left the POW hospital, he listens as an English officer lectures the Americans on personal hygiene.
The trip to Dresden takes only two hours. A magnificent city, the loveliest the Americans have ever seen, Dresden is the only large German city exempt from Allied bombing.
When the Americans climb down, the guards' apprehensions vanish and they begin to laugh. They have nothing to fear: The Americans are nothing more than disabled buffoons like themselves.
His mind is elsewhere: His memory of the future reminds him that the city will be bombed in about a month, and that most of the people watching this parade of American prisoners will be killed.
The men are taken to a cement-block building formerly used to house hogs. Inside, they find bunks, stoves, and a water tap. Outside, there is a makeshift latrine. Over the door a number has been painted: number five. A guard tells them to memorize their new address in case they get lost: Schlachthof-funf —Slaughterhouse-Five.
Billy has seen his death many times and has described it on a tape recorder he keeps in a safe deposit box. The tape recorder's message is: "I, Billy Pilgrim, will die, have died, and always will die on February thirteenth, 1976."
As he lectures to the large crowd, he predicts his death — within an hour — revealing Lazzaro's promise to kill him. He closes his speech with a message that death is not eternal. As Billy leaves the stage, a sniper fires at him from the press box. Billy Pilgrim is dead.
Billy time travels to 1945 Germany. Having left the POW hospital, he listens as an English officer lectures the Americans on personal hygiene.
The trip to Dresden takes only two hours. A magnificent city, the loveliest the Americans have ever seen, Dresden is the only large German city exempt from Allied bombing.
When the Americans climb down, the guards' apprehensions vanish and they begin to laugh. They have nothing to fear: The Americans are nothing more than disabled buffoons like themselves.
His mind is elsewhere: His memory of the future reminds him that the city will be bombed in about a month, and that most of the people watching this parade of American prisoners will be killed.
The men are taken to a cement-block building formerly used to house hogs. Inside, they find bunks, stoves, and a water tap. Outside, there is a makeshift latrine. Over the door a number has been painted: number five. A guard tells them to memorize their new address in case they get lost: Schlachthof-funf —Slaughterhouse-Five.
Monday, April 29, 2013
SCHLACHTOF FUNF
Still in the boxcar, Billy travels across Germany. The train stops at various prison camps to drop off POWs. On the ninth day of traveling, Roland Weary dies.
Roland Weary yearns to be avenged, and again and again in his delirium, he divulges the name of the person who killed him: Billy Pilgrim.
On the tenth night, the train arrives at a prison camp, and guards force the prisoners out of the boxcars.
The narrator describes two of the prisoners: Edgar Derby, a former high school teacher in Indianapolis, and Paul Lazzaro, who was in the same boxcar with Weary and promised him that he would make Billy pay for Weary's death.
The orange-and-black tent used for Barbara's wedding ceremony recalls the orange-and-black banners on the train transporting the POWs.
On the trip to Tralfamadore, Billy asks for something to read. After reading the only Earthling novel onboard, he is given some Tralfamadorian books. Unable to read the alien language, he is surprised that the books' tiny text is laid out in brief knots of symbols separated by stars. He is told that the clumps of symbols are like telegrams — short, urgent messages. Tralfamadorians read them all at once, not one after the other; there is no beginning, no middle, no end. There are no causes, no effects.
As the saucer enters a time warp, Billy is hurled back into his childhood: He is twelve years old. With his father and mother, he is visiting the Grand Canyon.
Suddenly, he finds himself back in 1945 Germany. He and his fellow POWs are marched to a shed, where a one-armed, one-eyed corporal writes their names and serial numbers in a ledger. Now the prisoners are legally alive — moments before, they were missing in action.
Roland Weary yearns to be avenged, and again and again in his delirium, he divulges the name of the person who killed him: Billy Pilgrim.
On the tenth night, the train arrives at a prison camp, and guards force the prisoners out of the boxcars.
The narrator describes two of the prisoners: Edgar Derby, a former high school teacher in Indianapolis, and Paul Lazzaro, who was in the same boxcar with Weary and promised him that he would make Billy pay for Weary's death.
The orange-and-black tent used for Barbara's wedding ceremony recalls the orange-and-black banners on the train transporting the POWs.
On the trip to Tralfamadore, Billy asks for something to read. After reading the only Earthling novel onboard, he is given some Tralfamadorian books. Unable to read the alien language, he is surprised that the books' tiny text is laid out in brief knots of symbols separated by stars. He is told that the clumps of symbols are like telegrams — short, urgent messages. Tralfamadorians read them all at once, not one after the other; there is no beginning, no middle, no end. There are no causes, no effects.
As the saucer enters a time warp, Billy is hurled back into his childhood: He is twelve years old. With his father and mother, he is visiting the Grand Canyon.
Suddenly, he finds himself back in 1945 Germany. He and his fellow POWs are marched to a shed, where a one-armed, one-eyed corporal writes their names and serial numbers in a ledger. Now the prisoners are legally alive — moments before, they were missing in action.
That night in the Englishmen's compound, the English officers perform a musical version of Cinderella. Watching it, Billy begins to laugh hysterically, and then he begins to shriek. He continues shrieking until he is carried out of the shed to the hospital, where he is tied down in bed and given a shot of morphine.
The morphine triggers another time trip, this time to spring 1948. Billy finds himself in a New York veterans' hospital.
Billy meets a former infantry captain named Eliot Rosewater who introduces him to Science Fiction Novels by Kilgore Trout.
In a split second, Billy is flung back to 1945 before being hurled ahead once more to the veterans' hospital. Billy's mother is visiting him; when she leaves, Valencia Merble, Billy's fiancée, sits with him.
Billy time trips again, and this time he travels to the Tralfamadore zoo, where he is confined in a geodesic dome.
The Tralfamadorians furnish Billy with a mate named Montana Wildhack, a pornographic motion picture star on Earth. He makes no attempts to entice her affections, but within a week she asks him to sleep with her. After Billy makes love to Montana, he travels through time and space back to his home in Ilium.
SCHLACHTOF DREI & SCHLACHTOF VEIR
Assigned the duty of rounding up lost or wounded Americans, the German soldiers who capture Billy and Weary include two boys in their early teens, two tattered, old men, and a middle-aged corporal who has been wounded four times and is sick of war.
Billy's attention is drawn to the corporal's boots. Polished and pure looking, they remind Billy of the innocence and purity of Adam and Eve.
The two scouts who abandoned Billy and Weary have been discovered by other German soldiers and are shot. Their blood was the color of raspberry sherbet.
Time traveling once again, Billy finds himself in his Ilium optometry office in 1967. He has trouble treating his patients, and he worries about his mental condition in general.
Billy closes his eyes and briefly returns to 1944 Luxembourg. He is being photographed by a German war correspondent, who will use the snapshot as propaganda, showing how poorly equipped the American army is.
Billy comes unstuck in time and again trips ahead to 1967. On a hot August day, he is driving to a Lions Club luncheon in Ilium. The speaker at the luncheon, a Marine Corps major, implores the audience to keep supporting the war in Vietnam until a victory is won.
now he is again back in Luxembourg, and it is the winter wind that brings tears to his eyes. Billy and his fellow American prisoners are forcibly marched into Germany, a march that Billy unexpectedly finds exciting.
they reach a railroad yard with rows of waiting boxcars; sorted according to rank, they are crammed inside.
On Christmas Eve, the train gets underway at last and begins to creep eastward. That night, Billy comes unstuck in time and travels to the night when he is kidnapped by Tralfamadorians.
Billy's attention is drawn to the corporal's boots. Polished and pure looking, they remind Billy of the innocence and purity of Adam and Eve.
The two scouts who abandoned Billy and Weary have been discovered by other German soldiers and are shot. Their blood was the color of raspberry sherbet.
Time traveling once again, Billy finds himself in his Ilium optometry office in 1967. He has trouble treating his patients, and he worries about his mental condition in general.
Billy closes his eyes and briefly returns to 1944 Luxembourg. He is being photographed by a German war correspondent, who will use the snapshot as propaganda, showing how poorly equipped the American army is.
Billy comes unstuck in time and again trips ahead to 1967. On a hot August day, he is driving to a Lions Club luncheon in Ilium. The speaker at the luncheon, a Marine Corps major, implores the audience to keep supporting the war in Vietnam until a victory is won.
now he is again back in Luxembourg, and it is the winter wind that brings tears to his eyes. Billy and his fellow American prisoners are forcibly marched into Germany, a march that Billy unexpectedly finds exciting.
they reach a railroad yard with rows of waiting boxcars; sorted according to rank, they are crammed inside.
On Christmas Eve, the train gets underway at last and begins to creep eastward. That night, Billy comes unstuck in time and travels to the night when he is kidnapped by Tralfamadorians.
Thursday, April 25, 2013
Schlachtof Zwei
Chapter 2 active reading notes:
Billy is drafted into the military and becomes a Chaplain's Assistant.
Once Billy gets word that his father had died in a hunting accident, he is able to return home briefly to attend the funeral.
After the funeral Billy is sent overseas to replace a Chaplain's assistant who had been killed in action.
After the confusion of battle, Billy is left wandering behind enemy lines with two scouts and Roland Weary who is an anti-tank gunner.
When Billy becomes unstuck in time and Weary tries to help him. The two scouts leave them behind.
Billy is suddenly the president of the Lions Club in New York.
When time shifts again, Billy and Weary are captured by the Germans.
Billy is drafted into the military and becomes a Chaplain's Assistant.
Once Billy gets word that his father had died in a hunting accident, he is able to return home briefly to attend the funeral.
After the funeral Billy is sent overseas to replace a Chaplain's assistant who had been killed in action.
After the confusion of battle, Billy is left wandering behind enemy lines with two scouts and Roland Weary who is an anti-tank gunner.
When Billy becomes unstuck in time and Weary tries to help him. The two scouts leave them behind.
Billy is suddenly the president of the Lions Club in New York.
When time shifts again, Billy and Weary are captured by the Germans.
This is Absurd
Something absurd to me would be something that was just so ridiculous you could not even comprehend it and instead it just makes you laugh. Like this for example:
enjoy.
Monday, April 22, 2013
Gatsby Essay
In the book "The Great Gatsby" you experience the adventure through the eyes of Nick Carraway. A business man who has just moved to West Egg and through him you learn of Jay Gatsby and many other unique characters that have their own problems and characteristics that separates them from everyone else.
One of the qualities of Nick Carraway is that he is not very judgmental of the characters in the story, or at least not out in the open about it, so he is able to make friends with everyone so that you can see what they are like through Nick's eyes. The eyes of a friend. He made friends right off the bat with Gatsby and this slowly reveals Gatsby's past and secrets as they become closer friends.
Nick's presence allows for Gatsby to set up meetings with Daisy because he would ask Nick to invite Daisy over for tea and surprise, Gatsby happened to show up too. Nick becomes a character that Gatsby and others are able to confide their secrets too without exposing themselves to the other characters in the story. To Gatsby I believe that Nick is just a way of meeting Daisy on a regular basis because she knows him.
Throughout the book you meet so many interesting and diverse characters that I feel as though Nick is the medium point or considered "normal" so that you can base all of the other characters off of, kind of using him as contrast too see the differences between each person. An example of this could be that Nick is a business man who is not very wealthy and then you have Gatsby who fought in the war as a decorated officer and is currently very wealthy. The book would have been much different if you took Carraway out of it because it would just be taking out a character that had made an impact of bringing all of the characters together as a link.
In the end although Nick had his own way of being important to everybody. He did not really accomplish any major feats or deeply affect too many of the characters. Although if Nick never would have showed up to link Gatsby and Daisy, Myrtle and Gatsby might have never been killed in the end of the book. Things were definitely changed by Carraway's presence but not much was accomplished in the time span of the story itself.
One of the qualities of Nick Carraway is that he is not very judgmental of the characters in the story, or at least not out in the open about it, so he is able to make friends with everyone so that you can see what they are like through Nick's eyes. The eyes of a friend. He made friends right off the bat with Gatsby and this slowly reveals Gatsby's past and secrets as they become closer friends.
Nick's presence allows for Gatsby to set up meetings with Daisy because he would ask Nick to invite Daisy over for tea and surprise, Gatsby happened to show up too. Nick becomes a character that Gatsby and others are able to confide their secrets too without exposing themselves to the other characters in the story. To Gatsby I believe that Nick is just a way of meeting Daisy on a regular basis because she knows him.
Throughout the book you meet so many interesting and diverse characters that I feel as though Nick is the medium point or considered "normal" so that you can base all of the other characters off of, kind of using him as contrast too see the differences between each person. An example of this could be that Nick is a business man who is not very wealthy and then you have Gatsby who fought in the war as a decorated officer and is currently very wealthy. The book would have been much different if you took Carraway out of it because it would just be taking out a character that had made an impact of bringing all of the characters together as a link.
In the end although Nick had his own way of being important to everybody. He did not really accomplish any major feats or deeply affect too many of the characters. Although if Nick never would have showed up to link Gatsby and Daisy, Myrtle and Gatsby might have never been killed in the end of the book. Things were definitely changed by Carraway's presence but not much was accomplished in the time span of the story itself.
Sunday, April 21, 2013
The Great Gatsby weekend project
For my weekend project I decided to do a poem since I think it would fit best with the book. Some of this poem was made already but I added in my own parts too:
Daisy and Tom look at each other for a moment in silence.
They say Tom's got some woman in New YorkBut you shouldn't believe everything you hear.She smiles slowly andwalking through her husband as if he is a ghostshakes hands with Tomlooking him flush in the eye.Wilson thinks she goes to see her sister in New York.Tom's the first sweetie she ever had.They stand face to faceDiscussing in impassioned voicesWhether Mrs. Wilson has any rightTo mention Daisy's name.Daisy!Daisy!Daisy!Making a short deft movement, Tom Buchanan breaks her nose with his open hand.Daisy glances up and holds out her handHer eyes fasten with an awed expression on her little finger;The knuckle is black and blue.A brute of a manA greatBigHulkingPhysical specimen of a—You must know Gatsby.The officer looked at DaisyIn a way that every young girl wants to be looked at some time.His name was Jay Gatsby.It's a strange coincidence.But it's not a coincidence at all.He wants her to see his house.He's afraid, he's waited so long.He's waited five years.The exhilarating ripple of her voice is a wild tonic in the rain.We haven't met for many years.Five years.You can't repeat the past.He kissed her.She blossomed for him like a flowerOne autumn nightFive years ago.You can't repeat the past.Daisy and Tom sit opposite each other at the kitchen table.They're not happyAnd yet they're not unhappy.No telephone message arrivedGatsby didn't believe it would come.He no longer cares.He has paid a high priceFor living too long with a single dream.Five years next November.Mr. Gatsby is dead.
Daisy and Tom look at each other for a moment in silence.
They say Tom's got some woman in New YorkBut you shouldn't believe everything you hear.She smiles slowly andwalking through her husband as if he is a ghostshakes hands with Tomlooking him flush in the eye.Wilson thinks she goes to see her sister in New York.Tom's the first sweetie she ever had.They stand face to faceDiscussing in impassioned voicesWhether Mrs. Wilson has any rightTo mention Daisy's name.Daisy!Daisy!Daisy!Making a short deft movement, Tom Buchanan breaks her nose with his open hand.Daisy glances up and holds out her handHer eyes fasten with an awed expression on her little finger;The knuckle is black and blue.A brute of a manA greatBigHulkingPhysical specimen of a—You must know Gatsby.The officer looked at DaisyIn a way that every young girl wants to be looked at some time.His name was Jay Gatsby.It's a strange coincidence.But it's not a coincidence at all.He wants her to see his house.He's afraid, he's waited so long.He's waited five years.The exhilarating ripple of her voice is a wild tonic in the rain.We haven't met for many years.Five years.You can't repeat the past.He kissed her.She blossomed for him like a flowerOne autumn nightFive years ago.You can't repeat the past.Daisy and Tom sit opposite each other at the kitchen table.They're not happyAnd yet they're not unhappy.No telephone message arrivedGatsby didn't believe it would come.He no longer cares.He has paid a high priceFor living too long with a single dream.Five years next November.Mr. Gatsby is dead.
The End of Gatsby
In the end of the book I was a little stunned at how Gatsby does end up dying. Although I still don't really understand the book, I think I will have to reread it to understand the real meaning but I still have trouble with it.
It was an interesting book but it feels like it had ended too abruptly, almost like I was missing something that I couldn't quite find.
It was an interesting book but it feels like it had ended too abruptly, almost like I was missing something that I couldn't quite find.
Thursday, April 18, 2013
Chapter 8 Active Reading Notes
So far, everyone, especially Wilson are in shock that his wife had died but nobody except Nick, Gatsby, and Daisy know how she died.
Nick meets with Gatsby and Gatsby tells him how he and Daisy met a while back while he was still and Officer in the Army. Nick learns about how Daisy found Gatsby interesting because he new different things than her because of the difference between their lifestyles.
Meanwhile, Wilson admits that he has a way of finding things out and he goes looking for the owner of the yellow car that didn't stop for Myrtle and asks directions to Gatsby's house.
Gatsby tells his staff that the car is not to be brought out under any circumstances and although it was Daisy's fault for killing Myrtle he would take the blame.
The ending of the chapter really confused me: Nick and Gatsby's staff go looking for Gatsby and they talk about a red ring in the pool as well as a mattress in the pool and then suddenly they are talking about Wilson's body and the ending of the holocaust?
Nick meets with Gatsby and Gatsby tells him how he and Daisy met a while back while he was still and Officer in the Army. Nick learns about how Daisy found Gatsby interesting because he new different things than her because of the difference between their lifestyles.
Meanwhile, Wilson admits that he has a way of finding things out and he goes looking for the owner of the yellow car that didn't stop for Myrtle and asks directions to Gatsby's house.
Gatsby tells his staff that the car is not to be brought out under any circumstances and although it was Daisy's fault for killing Myrtle he would take the blame.
The ending of the chapter really confused me: Nick and Gatsby's staff go looking for Gatsby and they talk about a red ring in the pool as well as a mattress in the pool and then suddenly they are talking about Wilson's body and the ending of the holocaust?
Chapter 7 Active Reading Notes
Daisy, Tom, Nick, and Gatsby are all having tea at Gatsby's house during the hot weather.
Daisy starts asking everyone if they want to go into town for a drink so after a little more talking they all decide to go.
As they are all about to leave for town, Daisy says that she wants to ride in the coupe with Gatsby instead of the other car with Tom.
Tom stops for gas on the way down into town and feels a little guilty for ruining the gas station owner's life by having an affair with his wife.
At the end of the chapter all of the guests are in a room that they rented and are about to make mint juleps when everything explodes and Gatsby argues with Tom that he loves Daisy and that Daisy never loved Tom.
Daisy starts asking everyone if they want to go into town for a drink so after a little more talking they all decide to go.
As they are all about to leave for town, Daisy says that she wants to ride in the coupe with Gatsby instead of the other car with Tom.
Tom stops for gas on the way down into town and feels a little guilty for ruining the gas station owner's life by having an affair with his wife.
At the end of the chapter all of the guests are in a room that they rented and are about to make mint juleps when everything explodes and Gatsby argues with Tom that he loves Daisy and that Daisy never loved Tom.
Chapter 6 Active Reading Notes
Gatsby had invited Daisy and Tom over for a party and Nick arrives as well. This is the first time Tom meets Gatsby face to face.
Eventually Gatsby and Daisy begin dancing while Tom walks around the party and talks to other women.
During this time Nick is sitting at a table with some guests that are "tipsy" as he calls them and he listens to their conversation.
Later on in the party Gatsby asks Nick to stay and he tells him about how it used to be with Daisy and that he wants it to be that way again.
Eventually Gatsby and Daisy begin dancing while Tom walks around the party and talks to other women.
During this time Nick is sitting at a table with some guests that are "tipsy" as he calls them and he listens to their conversation.
Later on in the party Gatsby asks Nick to stay and he tells him about how it used to be with Daisy and that he wants it to be that way again.
Monday, April 15, 2013
Chapter 5 active reading notes
I couldn't find the outline on how to do these so I am going to just go with the flow.
When Daisy comes over to the house to have tea with Nick and Gatsby, I don't really understand why Gatsby says that it was a bad idea to set up the meeting, that is what he wanted wasn't it?
It seems as though Gatsby is trying to impress Daisy by showing off his house and all of his nice clothes along with his swimming pool and hydroplane.
Lastly, I hope we can discuss the ending of this chapter, it seems that Gatsby and Daisy forgot that Nick was there yet Daisy knew but Nick left them alone in the house together and walked back out into the rain alone.
When Daisy comes over to the house to have tea with Nick and Gatsby, I don't really understand why Gatsby says that it was a bad idea to set up the meeting, that is what he wanted wasn't it?
It seems as though Gatsby is trying to impress Daisy by showing off his house and all of his nice clothes along with his swimming pool and hydroplane.
Lastly, I hope we can discuss the ending of this chapter, it seems that Gatsby and Daisy forgot that Nick was there yet Daisy knew but Nick left them alone in the house together and walked back out into the rain alone.
Monday, April 8, 2013
April 8th homework
I think that I was able to do decently on my essay today, although it would not have hurt to study the end of the book more to really get a grasp on how it ended. I hope that we can have a discussion in class on how Brave New World ended so I can better understand it.
Wednesday, March 20, 2013
MAPLAN
I was going to team up with Teanna and the rest of the people at our table to make some sort of news channel style project where all of our modernists will be in the news itself.
Wednesday, March 6, 2013
Joe College
So far I am not sure what campus I might be interested in. I have not looked into it much. I am going to college through the ROTC program with the Marines and as I go through college I would like to take courses in criminal justice. The challenges in my career choice after high school would be making through all of the difficult training, especially if I decide to join the Marine Corps special forces. Although opportunity wise I see that my military training will help with job applications after the military. For example I have been looking into law enforcement. Possible FBI SWAT team or something like that.
Tuesday, March 5, 2013
Wednesday, February 27, 2013
Applied Modernism
Rough Draft
"Richard Corey" is a modernist poem. The way that the author describes the bleak futures of everyone around Richard Corey who are looking at him knowing that their lives will never be that good is a form of modernism. When you have those people working hard to earn their money to support their families and then Richard Corey goes and commits suicide. It must mean that he was not happy. Money can't buy happiness is a key modernist phrase here. You can also see the whole "inner world vs outer world" phrase after Richard kills himself. On the outside he looks happy and contempt with his fine clothing and wealth pouring from his pockets yet something wasn't right on the inside. Don't judge a book by it's cover.
"Fahrenheit 451" is definitely a modernist style novel, even after reading the first page you can tell. The way the world is depicted in a sort of chaotic and destructive way with the war and a bleak future as well as the burning of books. He might as well have been burning knowledge. Montag's thought process can also be a modernism factor. The way his mind is dead set on one thing and one thing only, doing his job and slaving away day after day. Another contributing factor to this being a modernist novel is how Montag and Faber stick it to the man by breaking the rules just like T.S. Elliot did with his writing style of layering meaning.
"The First Seven Years" is a modernist story. Just like I have stated previously, there is rebellion in this short story too. The daughter of Feld does not want to go to college or rely on a man to keep her safe. She wants to be independent and find a job to begin her life after high school. Although it may be hard to see it, this story has an "unreliable narrator" that is changing his decision as the story progresses, just like a modernistic writing style. Lastly, it shows the inner world of Sobel, the man in love with Feld's daughter. It shows his thoughts and struggles as the story continues.
"Richard Corey" is a modernist poem. The way that the author describes the bleak futures of everyone around Richard Corey who are looking at him knowing that their lives will never be that good is a form of modernism. When you have those people working hard to earn their money to support their families and then Richard Corey goes and commits suicide. It must mean that he was not happy. Money can't buy happiness is a key modernist phrase here. You can also see the whole "inner world vs outer world" phrase after Richard kills himself. On the outside he looks happy and contempt with his fine clothing and wealth pouring from his pockets yet something wasn't right on the inside. Don't judge a book by it's cover.
"Fahrenheit 451" is definitely a modernist style novel, even after reading the first page you can tell. The way the world is depicted in a sort of chaotic and destructive way with the war and a bleak future as well as the burning of books. He might as well have been burning knowledge. Montag's thought process can also be a modernism factor. The way his mind is dead set on one thing and one thing only, doing his job and slaving away day after day. Another contributing factor to this being a modernist novel is how Montag and Faber stick it to the man by breaking the rules just like T.S. Elliot did with his writing style of layering meaning.
"The First Seven Years" is a modernist story. Just like I have stated previously, there is rebellion in this short story too. The daughter of Feld does not want to go to college or rely on a man to keep her safe. She wants to be independent and find a job to begin her life after high school. Although it may be hard to see it, this story has an "unreliable narrator" that is changing his decision as the story progresses, just like a modernistic writing style. Lastly, it shows the inner world of Sobel, the man in love with Feld's daughter. It shows his thoughts and struggles as the story continues.
LAQ for February
General:
1. There is no real plot to the novel that I am reading. It is an autobiography of a the U.S. Navy SEAL sniper Chris Kyle.
2. The theme (in my opinion) is that war is an awful thing.
3. The author's tone changes through the story. Mainly he consistently talks about wanting to be in the action.
Excerpts: "She was too blinded by evil to consider them. She just wanted Americans dead, no matter what."
"We were excited, we figured we were going to war."
"Newcomers - always called new guys - are treated like hell until they prove they belong."
4. The author experiences flashbacks of his childhood in Texas.
Just about 100% of this story is nonfiction, straight from the mouth of a Navy SEAL.
Imagery: "The desert wasn't entirely empty. While there were long stretches of wilderness, there were also towns and very small settlements strung out in the distance."
Simile: It was so hot that day it was like the road was the surface of the sun and melted our boots.
the antagonists here are the local insurgents who will do anything to kill an American.
Dynamic: "Every guy who survived through BUD/S was changed dynamically."
Direct Characterization: "Marines are gung ho no matter what. They will all fight to the death."
First Person: The narrator tells the story through his eyes using I, we, me, and us.
Irony: The people that the narrator and friends are trying to protect actually try to kill him too.
Characters: The book has many characters. Mostly Military personal working with the narrator.
Characterization:
Since this story is an autobiography describing the narrator's accounts in the Middle East, there is only really direct characterization.
1. "I grew up on the farm and have always been a cowboy, from the time I put my first pair of ranch boots on to when I roped my first cow."
"I have always loved guns, I practiced with them often and had quite a few of my own."
2. The author really does not focus on character all that much, since most of the time is in combat and doesn't have the time to describe what the guy next to him is like.
3. The narrator is a dynamic round character, with each experience he changes and grows stronger while fighting in the war.
4. I feel like I have met a person coming away from this book. Since the whole book was about him and it was all nonfiction.
1. There is no real plot to the novel that I am reading. It is an autobiography of a the U.S. Navy SEAL sniper Chris Kyle.
2. The theme (in my opinion) is that war is an awful thing.
3. The author's tone changes through the story. Mainly he consistently talks about wanting to be in the action.
Excerpts: "She was too blinded by evil to consider them. She just wanted Americans dead, no matter what."
"We were excited, we figured we were going to war."
"Newcomers - always called new guys - are treated like hell until they prove they belong."
4. The author experiences flashbacks of his childhood in Texas.
Just about 100% of this story is nonfiction, straight from the mouth of a Navy SEAL.
Imagery: "The desert wasn't entirely empty. While there were long stretches of wilderness, there were also towns and very small settlements strung out in the distance."
Simile: It was so hot that day it was like the road was the surface of the sun and melted our boots.
the antagonists here are the local insurgents who will do anything to kill an American.
Dynamic: "Every guy who survived through BUD/S was changed dynamically."
Direct Characterization: "Marines are gung ho no matter what. They will all fight to the death."
First Person: The narrator tells the story through his eyes using I, we, me, and us.
Irony: The people that the narrator and friends are trying to protect actually try to kill him too.
Characters: The book has many characters. Mostly Military personal working with the narrator.
Characterization:
Since this story is an autobiography describing the narrator's accounts in the Middle East, there is only really direct characterization.
1. "I grew up on the farm and have always been a cowboy, from the time I put my first pair of ranch boots on to when I roped my first cow."
"I have always loved guns, I practiced with them often and had quite a few of my own."
2. The author really does not focus on character all that much, since most of the time is in combat and doesn't have the time to describe what the guy next to him is like.
3. The narrator is a dynamic round character, with each experience he changes and grows stronger while fighting in the war.
4. I feel like I have met a person coming away from this book. Since the whole book was about him and it was all nonfiction.
Monday, February 25, 2013
My Modernist
I chose Mark Twain as my modernist because he wrote the Adventures of Huckleberry Fin and Tom Sawyer. Those are 2 of my favorite books and describe a setting that I would have loved to been born into.
Wednesday, February 20, 2013
Spring Vocab 5
Sorry Dr. Preston, I was a little late on this one because my internet was down yesterday and I did not see the blog.
1. Deference- Submission or courteous yielding to the opinion, wishes, or judgement of another.
1. Deference- Submission or courteous yielding to the opinion, wishes, or judgement of another.
2. Enigmatic- Difficult to interpret or understand; mysterious.
3. Definitive- Conclusion or agreement reached decisively and with authority.
4. Bumptious- Self assertive or proud to an irritating degree.
5. Choleric- Bad tempered or irritable.
6. Bulwark- A defensive wall; a person, institution, or principle that acts as defense.
7. Adamant- Refusing to be persuaded or to change one's mind.
8. Curtail- Reduce or restrict of a quantity; deprive someone of something.
9. Profligate- Recklessly extravagant or wasteful in the use of resources.
10. Mawkish- Showing too much emotion.
11. Thwart- To prevent someone from accomplishing something.
12. Onus- Used to refer to something that is one's duty or responsibility.
13. Requisite- A thing that is necessary for the achievement of a specified end.
14. Mollify- To appease the anger or anxiety of someone.
15. Sartorial- Of or relating to tailoring clothes or style of dress.
16. Presentiment- An intuitive feeling about the future. One of foreboding.
17. Impromptu- Done without being planned, organized, or rehearsed.
18. Forbearance- Patient self-control; restraint and tolerance.
19. Remit- Cancel or refrain from exacting or inflicting punishment/ debt.
20. Brouhaha- Overly excited response.
21. Demeanor- Behavior toward others.
22. Cloy- To cause distaste or disgust by supplying with too much of something originally pleasant, especially something rich or sweet.
Tuesday, February 19, 2013
I Am Here
So far this course has been challenging. Especially because I have never had to post homework online before. A part of my smart goal is to take the SAT test and Dr. Preston has helped me with that a little so I will be getting there soon. As far as a senior project, this is the first time I have heard of one and I am not sure what it is about so hopefully I will get more info on that.
In Mildred's Parlor
Mildred keeps begging him to destroy the books because it is very dangerous to have them. They could lose their home and be locked away in an insane asylum if they're caught. Although when Mildred's friends show up and they start talking about how much they hate children and everything. Montag decides to step in. He reads the poem Dover Beach out of a book. Mildred tries to cover it up by saying that every year firemen get to bring home one book. Montag reads:
The sea is calm tonight,
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Agean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
Heard it on the Agean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night wind, down the vast edges drear
And naked shingles of the world.
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
This brings Mrs. Phelps so much emotion that she is used to locking away that she bursts out into tears because she cannot handle the feelings that she has been hiding. Both of Mildred's friends leave her house.
I was not able to film anything because I was gone all weekend on a hike. My apologies.
Thursday, February 14, 2013
Essay PostGame Analysis
I think that I did well on my essay. I did not expect to have one when I walked into class though. There are a few things I could improve on, one would be to make my point more clear when writing. Next time I will definitely study the book a little more. I probably earned a B+.
Tuesday, February 12, 2013
Parlor Poetry
Montag chose the poem Dover Beach because it brought up so many emotions that the women in the parlor try to hide on a daily basis and he knew this so it affected them deeply.
Monday, February 4, 2013
Spring Vocab
Praetorian- A member of the Praetorian Guard
Sieve- A utensil consisting of a mesh held in a frame, used for straining solids from liquids.
Veiled- Cover with or as though with a veil.
Saccharine- A sweet tasting synthetic compound, used in food and drink as a substitute for sugar.
Harlequin- A mute character in traditional pantomime, typically masked and dressed in a diamond patterned costume.
Toil- Work extremely hard or incessantly.
Delinquents- Young people that commit minor crimes and/or neglect their duties.
Gibbering- Speak rapidly and unintelligibly, typically through fear or shock.
Insidious- Proceeding in a gradual, subtle way, but with harmful effects.
Strewn- Scatter or spread things untidily over a surface or area.
Sieve- A utensil consisting of a mesh held in a frame, used for straining solids from liquids.
Veiled- Cover with or as though with a veil.
Saccharine- A sweet tasting synthetic compound, used in food and drink as a substitute for sugar.
Harlequin- A mute character in traditional pantomime, typically masked and dressed in a diamond patterned costume.
Toil- Work extremely hard or incessantly.
Delinquents- Young people that commit minor crimes and/or neglect their duties.
Gibbering- Speak rapidly and unintelligibly, typically through fear or shock.
Insidious- Proceeding in a gradual, subtle way, but with harmful effects.
Strewn- Scatter or spread things untidily over a surface or area.
Sunday, February 3, 2013
The Time of My Life
I used the 35 minutes of my time to read my book and catch up on the work that I missed when I was absent for 3 days.
Friday, January 25, 2013
Smart Goal
My goal is to become an officer in the Marine Corps and to make it into MARSOC. It has been my dream to serve in the armed forces ever since I first discovered what plastic army men where. After the Marines I hope to become a private contractor for a mercenary group of some sort.
Thursday, January 17, 2013
Fahrenheit 451
1. The novel has been subject to multiple interpretations.
2. Francois Truffaut wrote and directed a film adaptation of the novel in 1996.
3. At least two BBC Radio 4 dramatizations have also been aired.
4. A prequel exists and it is called A Pleasure To Burn.
5. A video game sequel was also made and named Fahrenheit 451.
2. Francois Truffaut wrote and directed a film adaptation of the novel in 1996.
3. At least two BBC Radio 4 dramatizations have also been aired.
4. A prequel exists and it is called A Pleasure To Burn.
5. A video game sequel was also made and named Fahrenheit 451.
Sunday, January 13, 2013
Spring Semester Plan 1
My plan this semester is to get at least Bs and As in all classes and to complete all of my school work on time.
Thursday, January 10, 2013
1. Music can be considered literature due to the fact that a lot of music uses poetry and rhyme schemes in the singing portion.
2. Literature can be defined as written or spoken material, which is very broad because there is everything from rapping to debating in literature.
3. The difference between a novel, poem, rap, song, opera, and symphony depends on the person you are asking. For example, one person might say they are all the same because they all use a form of speech, when another person might say they are different because one rhymes and the other does not.
2. Literature can be defined as written or spoken material, which is very broad because there is everything from rapping to debating in literature.
3. The difference between a novel, poem, rap, song, opera, and symphony depends on the person you are asking. For example, one person might say they are all the same because they all use a form of speech, when another person might say they are different because one rhymes and the other does not.
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